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Respect these trees for
they touch skies, deep down in earth;
with grandeur prevail,
green needles protecting bark,
light breaks provoking quiet.

Watercolor and poem by MJC

To see a mountain
At sunrise is glorious
Not to be forgot
Or ever considered less 
Than what is monumental
 Watercolor and poem by MJC
Sounds delightful nod
Soft flows trickle green moss sinks
Blue yellow sun shade
Shadows follow foot steps hear
Grasses bend and bow, ’til now
Photo and poem by MJC  

Tanka #1: Hiding


Eyes look up skyward
Then down to the ground, digging.
Soft, thoughtful moment.

He shaded by large tree trunk
I paint him.  All becomes still. 
                                             
Oil painting and poem by MJC

Recently, my sister sent me a small book of Japanese Haiku as a memory of my mother, who passed away several years ago.  

It is a small hard-cover book that my mother purchased as a gift for her beloved aunt, who had cared for her when she was a young girl and needed a place to stay.  The inscription is lovely, and says,

“To Aunt Edith at Torch Cottage – To one who has enriched my life beyond all means of explanation. With all my love for your love which has never failed me.  Janet, Spring, 1964”

It was titled, Japanese HAIKU, published by Peter Pauper Press out of Mount Vernon, in New York in 1955-56 and sold at that time for $1.00.  It offered two hundred twenty examples of seventeen-syllable Japanese poems by Basho, Buson, Issa and other Japanese poets, mostly of the 15th and 16th century.  It was translated by Peter Beilenson.  


The book explains that a haiku poem is comprised of seventeen syllables, looking something like this:
5 syllables
7 syllables
5 syllables.

The tanka has 14 more syllables added to the haiku, for 31 syllables total, looking like this:

5 syllables
7 syllables
5 syllables

7 syllables
7 syllables

This is a grand total of 31 syllables.


Below, is an haiku and tanka that I prepared as an illustration.

5   NIGHT COMES BUT NOT YET
7   THE DIM SKY SPEAKS TO ME NOW
5   BLUE, WHITE, GOLD, ENDLESS.

7   DECLINE TO NEW BLOOMS OF GREY
7   ALL BECAUSE OF THE END GAME.
                                                                   MJC


Historically, I am told, several poets were involved in the writing of a tanka usually with the first poet preparing the haiku and the second poet completing the last two lines, thus becoming a tanka. Small drawings were often added, artistically, to the poem.  

Additional examples of poems and art based on the haiku and tanka are shown here.

Inspired by this little book, I wondered whether it might be possible to paraphrase my mother’s words using the rules of Japanese haiku and tanka poems and here is what I came up with.

TO MY LOVING AUNT
LIFE ENRICHED BEYOND ALL MEANS
BY TORCH LAKE COTTAGE

FOR YOUR LOVE THAT NEVER FAILED

GRIEF ENSNARED BUT NOT BY YOU
                                                               MJC


Although I have never really completely understood why poetry has so many rules and quite often rebelled against them when forced to use them, I find this simple way of playing with words and syllables intriguing.  

Thus inspired,  I think over the next few days, will try to come up with some personal versions of haiku and tanka, with personal drawings illustrating them, just for the fun of it.

Who knows, perhaps a tanka a day keeps the doctor away?

Disappointed



Holy Crap
He said about the limits to growth,
Or was it the sustainability of resoures
Or lack of good governance
It might have been about
Weapons of mass destruction
Was it about the solution to the Palestinian problem?
I don’t remember now, but it 
Ended in a sigh.
But not of relief.
But of disapointment,
Staggering disappointment
Is this the best that we can do with this great country?
From the oceans, to the prairies,
With highways, and the byways, 
electric lines, telecommunications intact, good plumbing
Feely available food supplies, unlimited gasoline, volumes of natural gas,
Apples on trees, peaches on the ground, tomatoes drifting through the gardens, 
Wading through aisles of dog food, cat food, bird food, guppy food, hamster food, Cocatoo cages,
Sleeping pills, plastic aluminum, folded wrapped artificial food for babies.
Deeply disappointed,
Sorry to see it go,
Watching it fade away,
Tormented by silly commentary, 
upright slick characters. 

Poem by Mary Chamie.  
Scarcely a day has gone by 
That
I do not think of you.
You are my rock of ages, my story, my history, 
my undocumented past, 
My imagined future.  
My one and only
There will never be another one of you, or us.
I know that we are once upon a time and not forever. 
We wonder who will leave first, who will be left behind.
Just in case it is I who goes first, I leave you this celebratory not-so-specific
funny sad happy wistful loving
note of times past and present, contemplating
lost dreams of the future.
The future will celebrate itself without me.
Just in case it is I who remain, I leave this note of times past and present, future
To remember that scarcely a day has gone by that 
I do not think of you.

Poem and painting by Mary Chamie.

Coincidental

It is not coincidental that I find you in my living room.
I invited you in, just this once.
It is not a mistake that we do not argue.
It is a fact 
because we do not speak.
It is not a terrible thing to be bothered by you.
It is simply inconvenient, 
this morning, tomorrow, yesterday.
I forgot why you are here.
Who said you could enter?
It is time for you to go away 
today, tomorrow, forever.
Find somewhere else to peddle your wares.
This silence is not coincidental.
I respect that
 you are gone and 
tell no one that you left.
We lost each other long ago.
Poem and painting by Mary Chamie.

We stay for the winter months in the Abacos, one of the northernmost islands of the Bahamas.  It is a place often nicknamed Paradise by those who visit and by those who live here, when describing its natural beauty. The extent of its unending changing beauty is hard to describe.  Much of it is the subtle colors, the shifting of the light, the way the breeze runs across the beach.

Recently, I have tried to depict my feelings about this place using watercolors.

The more I paint, the more I see the wonder of this place.  The more I see, the more I paint the wonder of this place.  It is becoming quite an obsession.

The first painting is of early morning, what we see when we look toward the ocean.  It is followed by paintings at various times of day.

Early morning.
Late afternoon
Mid-day 
Before a Rain

These paintings were from our front yard. The stillness and motion of the ocean is what makes for much of the beauty.

The natural island settings of the low trees and bushes along the beach edge, facing the backyard are also very beautiful, however quite different from our front yard.

More to follow, next time.

Our neighbor, Steve Knowles is a wood turner who makes beautiful wooden bowls and other wood products that are all hand crafted in his workshop at his home in the Abacos at Bahama Palm Shores.  He has taken on woodturning as a hobby.  Every year his work becomes more popular and he now shows his pieces at art fairs around the country.

He currently works at Abaco Hardware where he services home appliances.  He is also the Assistant Fire Chief for the High Banks Volunteer Fire Services.  He and his wife Anita live in a natural and woodsy part of the Abacos called Bahama Palm Shores, an area surrounded by beautiful trees and bushes, with many different kinds birds settled in the greenery.

Bahama Palm Shores is well-known for its parrots and for its natural beauty, and is also well known for being a vibrant, active little ocean-side community.  It is a great place for Steve to find wood for his many craft projects.  Neighbors call him to tell him that a tree or branch has fallen in a storm and he comes over and retrieves some of the wood.

Poison wood tree
Picking up wood from a neighbor.
Wood piled up ready to take to his wood shop.
Cutting wood into blocks.
Palm tree downed by neighbor.
Steve stacks the wood that he has collected and prepares it for woodturning through a process of cutting and seasoning.
He works with a variety of different kinds of wood, highlighting their grains in his designs.
Bowls emerge along with candleholders, bread boards, hot plates, billy clubs and spinning toys.
Candleholder, prepared years ago.
Ready to go to an art show.
Fish hot plate and bowls.
While he works, he thinks and dreams up new ideas for future projects, sketching them out as he goes along.
Interested people stop by his wood shop to see what he is working on or to ask him to make them something out of wood. When tourists and  birdwatchers visit the neighborhood, many stop in to see his work, some purchasing items to take home with them.
Neighbors drop by to purchase gifts for weddings, birthdays and other occasions and often bring their guests to see Steve’s work.  Steve has also taught some people how to wood turn. 
Early shaping of a bowl.
Initial wood cuttings
Sawdust on the floor.
Turning the wood.
Bowl, ready to go.

Selected finished pieces of Steve’s work were recently displayed at The Bahamas National Trust, Art for the Parks held at Abaco Beach Resort in Marsh Harbor.

Steve will soon be retiring, and when he does, he is going to be very busy just keeping up with all the demand for his beautiful bowls and other wooden items.

Steve Knowles’ wood turning  is a good example of how one might ease out of the work force while adding a very interesting project to ones life.
Here is a short video showing his recent work.