Calligraphic messages seem to be everywhere in nature. They emerge from our natural surroundings and are etched into our consciousness.
By referring to “nature’s calligraphy”, I refer to a form of art that is inspired by nature, yet looks like handwriting or calligraphy, and has artistic implications that go beyond the written word.
How do I ever know what to paint when standing in such beautiful natural scenery? Where does land end and water begin? What color is the in-between?
I know by my feelings when to start painting. I will sense when that moment is here.
It is when my eyes stop at a point, where I ponder what I see, where I wonder how this place even exists it is so ephemeral. Then it is time to paint.
This quiet moment is in March and occurs while walking off-road at Sauvie Island, near Portland, Oregon We are standing in a field, looking at almost still waters. The scrub bushes and small trees on the other side of the pond are sending what looks like a calligraphic message, punctuated by clouds.
It is our first time out in a long time, owing to COVID constraints. This is also a global pandemic moment for us, an outing free of other people, social-distancing not required.
There is no noise, but for soft sounds of birds. It is a perfect moment.
It is now a painted moment.
In my mind’s eye, I see this same scene in another way, as calligraphy.
I plan to paint this again, but in a much wilder, simpler way, via the style of a notan.
The above painting was completed during the period of time that I have been taking the art classes of Michael Orwick, offered by the Oregon Society of Artists.
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