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Archive for the ‘Art’ Category

There are two important switches we have in life.  On and off.  Birth and Death, for example.  Or, act and don’t act.  Then, there is go or stay. Try or quit.  And the list goes on. Any computer specialist, however, will tell us that even binary decision-making can get pretty complex in a hurry.  When one adds up all the many possible “do’s” and “don’ts” they might even be contradictory or lead to circuitous results.

In situations where life has gotten very complicated, it is useful to go back to thinking about simple switches.  And along with that, we must learn to turn off complicated and ridiculous choices that do not have to take place.  

There are times when it may be best to be in the middle ground, somewhere between on and off, or yes and no. Shades of gray. This means yes, under the following conditions; or no, if this happens.

How do we know which button to push?

Most of us come up with a set of policies or understandings to decide what to do now, some based on previous experiences, some part based on what we are doing right now, and some part of it based on what we expect to do in the future.

Then there is this.

We are not alone pushing buttons. Others around us are pushing their buttons too. This makes decision making even more complex.

When I reach this point, I often take out a pen and a paper and start writing my choices, listing what I think is important. If I am not ready to do that yet, then I draw, or take a walk or go outside and do some gardening.

Artistic expression and exercise, in my opinion, is an important aspect of decision-making, giving the mind pause and space to think through.

Oregon Coast

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Day’s End

Sometimes it is nothing but a thought, a short poem or quick sketch. It is a dream of days past, under different circumstances, long ago.

Spring is a time for dreaming.

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Our island is a gift of many precious moments, one of which is sunrise.

Watercolor and gouache, by MJC.

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Here are two different watercolor perspectives that I painted of a person living on our island.

He is a yard cleaner and gardener, hard worker and an immigrant to this island.

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I wanted to paint the quiet emotion I saw between a grandmother and her granddaughter. What I visualized in painting them was peace, identity, pride and love, expressed in shades of yellows, blues and pinks, surrounded by soft, fractured textures. It felt best to carve out their contours and shapes with oils using a palette knife, showing their presence, their intensity, their closeness as a bright splash onto blue backgrounds. This was quick work, often described as “alla prima”, but in fact, also using photography to remember some little details.

Grandmother and Child, oils, MJChamie

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Underbrush

Thriving messily under trees and bushes, tufted into grasses as tiny wild flowers and leaves, we find the mesmerizing textures and colorful resilience of our natural lands. These undergrowths are quieted and hidden from the larger, more vulnerable open spaces where highways and buildings and mowed lawns exist. In these complex undergrowths, one senses the assurances of protection, the softened wind, the wisps of sunlight streaming through the curtained taller bushes and trees. Such locations are a tousled source of nests for birds, a safe nursery for young plants and a sanctuary for many, while offering artists a great source of infinite, playful texture for larger paintings.

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There he is, standing tall, legs ready to run if threatened. Who wouldn’t want to sketch him? Part of his value, is all those shapes and colors. He is a diagram of colored blocks and fluffy feathers. And such skinny legs.

Rooster, crayon sketch, MJChamie

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Sketching in the field with crayons, imagining how the heron feels and looks, quickly using pencils and erasers while on the fly, is fun. Below, are three renditions of the same bird that I keep in my sketchbook for planning a larger oil or acrylic painting at a later date.

The bird was flushed out of the marsh as we ever so carefully approached her. It is so exciting to see her wings flowing into flight, as she flaps her way out of the grasses and winds her way nearer to the water and farther from us.

How can I emphasize her majestic wings? How do the textures of a marshland get depicted so that she fits comfortably, seen and hidden at the same time?

There she is for that brief moment then up into the air and away. What did I see? What did she sense as she fled her surroundings for a quieter place?

Sketching tools

First lines – Structure

Such a beautiful bird. And now to reveal the idea of her in a painting. She will linger in my memory for quite some time.

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This winter I have completed a series of sketches with pencil, pen and crayons on plain paper. The idea is to try to make my point while using limited art supplies.

“Alone”, sketched with Conte crayon, MJChamie

Part of the fun of this kind of sketching is playing with gestures to imply what one sees. For example, in this sketch, I highlighted the broad sweeping curve of the land against the ocean with a single stroke, while also implying the island plant life in the lower right corner using what I call caligraphic gestures.

All sketching done with just a few tools.

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During the last six months, I have switched from oils and watercolors to graphite/clay/charcoal pencil and ink pen for my artwork. My goal in switching to these simple and readily available and cheap tools is three fold:

First, I am searching for environmentally safer ways to do art;

Second, I want to focus attention to shape and form, density and texture for art expression rather than on myriads of color as a way of sharpening my drawing skills; and

Third, I like that any and all paper may be used – no expensive specially prepared, high absorptive papers or textured canvases are required when using these simple tools.

Just grab a pen or pencil with a good eraser, and get to work on a piece of note paper.

Lost in Thought, charcoal drawing, MJChamie

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